Scarce Umber, Agriops aurantiaria. Male. Geometer. Moth trap in Hayes, 18 November 2011. |
The Feathered Thorn was a lively creature; I tried to calm it down by putting it into the fridge for a couple of hours, but it was still flapping, so I couldn't persuade it to pose and I only got the single position, on the bench where it was when I found it. It was in danger of damaging its wings, so I let it go.
This moth, on the other hand, was quite suggestible, and I took half a dozen different pics, including one on a fern which is close to the trap.
The open wing is shown below. You might also see that I have painted the moth trap white. This will serve several purposes. It will last longer, and survive being caught in the rain; it will be easier to see small creatures resting or crawling on it; it might reflect more light and be more attractive to insects; and I won't be bringing a horde of almost invisible beetles back into the garage (see the Feathered Thorn post)!
I will also add a head-on view that shows the antennae (and has the usual effect of making it look cross-eyed. That's an illusion, of course). The female of this species is wingless and stays on the tree; it is the feathery-antennaed male that does the flying around.
It may be subjective (something that others wouldn't see) but when a photograph, or any works in entirely different media, seems to encapsulate intrinsically the values of later Japanese decorative art, though without borrowing design elements, I think it is a radically human event. Sorry that it takes such abstract language to say so. I refer to the Scarce Umber on the fern. It isn't only the basic shapes but also the exact tints of the colors in the light. By 'later' I mean Tokugawa through Edo.
ReplyDelete